This album is great IMO. Not that difficult to find if you know where to look either. Some of the tracks on the end aren't TD and how on earth did United Goblins Parade from Goblins Club find it's way on there.
sparrow wrote:This album is great IMO. Not that difficult to find if you know where to look either. Some of the tracks on the end aren't TD and how on earth did United Goblins Parade from Goblins Club find it's way on there.
Well, there is a goblin connection on both Legend and Goblins Club...
The first one and last two are legal, the version most of us have. I've also got number two, which is a bootleg (not worthwhile). The third one is also a bootleg.
Never cared to investigate J. Goldsmith's stuff, though.
The first one and last two are legal, the version most of us have. I've also got number two, which is a bootleg (not worthwhile). The third one is also a bootleg.
Never cared to investigate J. Goldsmith's stuff, though.
Goldsmith is a "legendary" film composer who passed away some years ago. He was quite good with synths in his scores - especially 1980s scores like Runaway and Criminal Law had synths only, no orchestra.
The first one and last two are legal, the version most of us have. I've also got number two, which is a bootleg (not worthwhile). The third one is also a bootleg.
Never cared to investigate J. Goldsmith's stuff, though.
Goldsmith is a "legendary" film composer who passed away some years ago. He was quite good with synths in his scores - especially 1980s scores like Runaway and Criminal Law had synths only, no orchestra.
His score for Under Fire is easily one of my favorite scores of all time (w/ Metheny on accoustic guitar).
Why would anyone want a bootleg when there is enough released by the TD group that sounds even better?
There was a time when it made sense ... the Pink Floyd bootlegs may not sound great ... but they are better in character and feel than ANY album ... the same was with the Grateful Dead and Bob Dylan ...
But these days, all of those have been released and there are few that are worth it ... specially in this digital ear when a band can simply put a portion of their sound on a cd/harddrive and then play over it ... and sound the same. They didn't sound the same years ago, and that freshness makes a bootleg worth it ... but today ... I have not heard a single bootleg in the past 20 years that is any different than the real thing ... I guess that's a tribute to technology, but it can also be a tribute to the commercial need to sound "correct" and like the album to sell the CD ... it's the commercial side of it all.
