Mars Polaris review
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couldn't agree more, where do these daft rules come from?jacob wrote:Glenn wrote:
Actually, what they did do was stop thinking in electronic terms, which is a requirement when making electronic music because electronic music is not simply pop music minus lyrics.
I'm more with what Edgar said in an interview:
It is not electronic music, just because we use instruments, which in the broadest sense, work electronically.
I just can't share the "EM for the sake of EM" view. Why must they live up to some people's definition of that genre? TD's has proved to be much more than that, during the last 41½ years.
From daft dictators24db wrote:couldn't agree more, where do these daft rules come from?jacob wrote:Glenn wrote:
Actually, what they did do was stop thinking in electronic terms, which is a requirement when making electronic music because electronic music is not simply pop music minus lyrics.
I'm more with what Edgar said in an interview:
It is not electronic music, just because we use instruments, which in the broadest sense, work electronically.
I just can't share the "EM for the sake of EM" view. Why must they live up to some people's definition of that genre? TD's has proved to be much more than that, during the last 41½ years.
D1ckh3ads more likeepsilon75 wrote:From daft dictators24db wrote:couldn't agree more, where do these daft rules come from?jacob wrote:Glenn wrote:
Actually, what they did do was stop thinking in electronic terms, which is a requirement when making electronic music because electronic music is not simply pop music minus lyrics.
I'm more with what Edgar said in an interview:
It is not electronic music, just because we use instruments, which in the broadest sense, work electronically.
I just can't share the "EM for the sake of EM" view. Why must they live up to some people's definition of that genre? TD's has proved to be much more than that, during the last 41½ years.
Little late with his review isn't he?
Couldn't agree more. TD ought to continue to do what TD do, which is to ignore what people tell them to do and just do what they want to do.epsilon75 wrote:From daft dictators24db wrote:couldn't agree more, where do these daft rules come from?jacob wrote:Glenn wrote:
Actually, what they did do was stop thinking in electronic terms, which is a requirement when making electronic music because electronic music is not simply pop music minus lyrics.
I'm more with what Edgar said in an interview:
It is not electronic music, just because we use instruments, which in the broadest sense, work electronically.
I just can't share the "EM for the sake of EM" view. Why must they live up to some people's definition of that genre? TD's has proved to be much more than that, during the last 41½ years.
You're right RM...howeverTheMan wrote:Little late with his review isn't he?
"...electronic music is not simply pop music minus lyrics."
He got that part spot on.
It's okay Chris we don't think you're talking a load of do doChris Monk wrote:Couldn't agree more. TD ought to continue to do what TD do, which is to ignore what people tell them to do and just do what they want to do.epsilon75 wrote:From daft dictators24db wrote: couldn't agree more, where do these daft rules come from?
....sorry, a lot of do's there but you get my drift.
MP is certainly not pop music. It is outstanding music.24db wrote:You're right RM...howeverTheMan wrote:Little late with his review isn't he?
"...electronic music is not simply pop music minus lyrics."
He got that part spot on.
POP MUSIC (care of Wiki)
The standard format of pop music is the song, customarily less than five minutes in duration (only 3 of the tracks are shorter than 5 minutes on MP), with instrumentation that can range from an orchestra to a lone singer. Pop songs are generally marked by a consistent and noticeable rhythmic element (check....one for Glen...but then again nearly every TD record has some rhythmic element so perhaps Wiki's terms are too generic?), a mainstream style and traditional structure (well, call it 50:50...mainstream? TD are hardly top 20). Common variants are the verse-chorus form and the thirty-two-bar form (Minus...Glen looses a point, although and being generous I can see what he's getting at), with a focus on melodies and catchy hooks , and a chorus that contrasts melodically, rhythmically and harmonically with the verse. Lyrics in pop music are frequently about love (Glen must a must be thinking of something else, however he does make the point in his statement), relationships and life experiences (don't think so...Glen's record version must be different to mine ). The primary objectives of the pop music genre are audience enjoyment and commercial success (huh? have TD ever thought about this?).
who's keeping score? I can't be bothered
So sadly Glen aint ticking all the boxes, and IMHO you'd be s-t-r-e-t-c-h-i-n-g it calling MP pop music.
Only ever liked about 2 or 3 tracks off MP myself, but IMHO those tracks are outstanding