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PostPosted: Thu Feb 28, 2008 11:22 pm 
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Location: Bristol, Uk
bigmoog wrote:
I like the idea of a scientific theory of EF's compositional style......thats possible and would be very interesting.

Not me mate. I fear that if you could work it all out into a formula it would lose it's magic.

....and then some b*gg*r would program it into a computer and come up with something so completely un-TD-like you wouldn't recognise it. :wink:


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PostPosted: Fri Feb 29, 2008 9:37 am 
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Location: 1975
Chris Monk wrote:
bigmoog wrote:
I like the idea of a scientific theory of EF's compositional style......thats possible and would be very interesting.

Not me mate. I fear that if you could work it all out into a formula it would lose it's magic.

....and then some b*gg*r would program it into a computer and come up with something so completely un-TD-like you wouldn't recognise it. :wink:



very true Chris, very true

I mostly have always listened to the melting music that TD produce...the only analysis really is 'am I enjoying it...' :D

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PostPosted: Sat Mar 01, 2008 9:30 pm 
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Location: 'Athens of the North'
Great post David!

I've always wondered as well, but I could never put it into words
what you have made so clear to me.

Although, I can understand why there is a resistance to this
sacred knowledge.










Upon this key time will slide, beyond each lock, you lose your mind






So.... beware...

:!:





homeless


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PostPosted: Thu Mar 06, 2008 10:01 pm 
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Interesting post David, deconstructing the music can add and subtract from the appreciation IMHO but I think there's little danger of a Grand Unified Theory of music - just too many variables and as some of them reside in the listener there's no chance of a QED.

Really enjoyed CanD BTW

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