TD moments, hairs on the back of the neck!

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alipaul
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Post by alipaul »

any deep bass notes played during live gigs.

most 'hair stand up moments' for me was during the Logos tour
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Post by timer »

alipaul wrote:any deep bass notes played during live gigs.

most 'hair stand up moments' for me was during the Logos tour
Same here - but between the bass rumbling every cell in the body - wonderfull concert . 8)
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alipaul
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Post by alipaul »

especially the bit that's used in The Keep where the german soldiers think the cross is silver my guts took a right beating during that
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Post by timer »

alipaul wrote:especially the bit that's used in The Keep where the german soldiers think the cross is silver my guts took a right beating during that
That's the one mate ! - 4 rows from the front , never experienced anything like it before - but plenty of times after
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alipaul
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Post by alipaul »

timer wrote:
alipaul wrote:especially the bit that's used in The Keep where the german soldiers think the cross is silver my guts took a right beating during that
That's the one mate ! - 4 rows from the front , never experienced anything like it before - but plenty of times after
It's no good now lunch break over i can't get it out of my head.
Afternoon of being ignorant ipod on logos playing eff off to everyone else
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epsilon75
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Post by epsilon75 »

Leviathan was an unexpected surprise in Eindhoven,listening to it again on the download has made the hairs stand up,this is a fantastic track IMHO,a modern day TD classic. 8)
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Post by billythefish »

epsilon75 wrote:Leviathan was an unexpected surprise in Eindhoven,listening to it again on the download has made the hairs stand up,this is a fantastic track IMHO,a modern day TD classic. 8)
That was certainly a goose-bump moment when we heard that for the first time. Can't wait for the DVD.
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Post by GAZZ »

there are so many 1st has gotta be the sequencer part in cloudburst flight. .2nd horison [remixed as the warsaw gate mix on tangine scales album] i adore how the sequencer and awkward rythmns suddenly just meld together to create a awesome tune. 3rd is the piano medly from antarktis played by mr haslinger great !!! :roll: :roll:
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Post by rotwang »

Too, too many to choose from. Lessee ...

Definitely anytime the "alien dogs" sound effect comes in (tho' I personally call it the "night creature"). The opening "bass" sounds that open and close "Icarus." The sequencer beginning on "Stratosfear." The crescendo and bell chime on "Invisible Limits."

How's that for a start?
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Post by sparrow »

I love the part on Flashflood when the main melody line comes in. It's a simple but very effective wee tune IMO.
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alipaul
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Post by alipaul »

The opening bars after the introduction in Polish on the Poland album awesome :)
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Post by epsilon75 »

alipaul wrote:The opening bars after the introduction in Polish on the Poland album awesome :)
Oh yes Daz,that one always sticks in the mind 8)
RIP Edgar. I am going to miss you.
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alipaul
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Post by alipaul »

was listening to this in the car on the way to work this morning
i don't know about the hairs on my neck the ones on my legs & my n*ds
stood up on end :shock: :oops:
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Post by Laserdisc Dream »

:!:







:arrow:
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Post by 24db »

alipaul wrote:was listening to this in the car on the way to work this morning
i don't know about the hairs on my neck the ones on my legs & my n*ds
stood up on end :shock: :oops:
thanks, I'll put that in my 'mental images I didn't need' file ;)
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