And would you appreciate a "ZEIT 2012", BM ?bigmoog wrote:as long as EXIT is left alone
(sorry, but I could not resist... )
24db wrote:sadly his harmonica is in my living roombigmoog wrote:TDludo wrote: And would you appreciate a "ZEIT 2012", BM ?
(sorry, but I could not resist... )
Only if its played by Edgar on a harmonica, in my living room
That's a good point. We always have the originals. So long as remix/reworkings are not being passed off as merely remasters, then there shouldn't be a problem. Adding the date to the titles clearly distinguishes them from the originals so that you know it's a re-work. In fact, the re-workings should be decidedly different than the originals. Otherwise, what would be the point?24db wrote:He's hardly going out and stealing all the copies of the originals we own is he?
...and it will all be your fault if they do ....great suggestion mateexit81 wrote:Regarding re-recording old albums, I'd be much happier if they actually were re-recorded from scratch (like the recent Love On A Real Train seems to be) and not just overdubbed with extra parts, which seems kind of pointless to me. Complete fresh new versions of things like White Eagle and Force Majeure (which I reckon we'll get next year) would be really interesting to listen to, whereas overdubbed versions wouldn't really interested me too much. I suggested to Thorsten after the Edinburgh gig that if they were to continue re-recording albums, then why not Poland, and they could then play the whole thing live! He said it's a good idea, but he'd need to sample a LOT of sounds to re-create many of the parts, especially Moog sounds. We're coming up to the 25th anniversary of that famous concert next month too.